Gray Friar Press, 2014
My introduction to this so-far great series of British regional horror tales edited by Paul Finch was the excellent Terror Tales of the Seaside. Like that one, Terror Tales of Wales is a collection of stories by modern writers of horror with 13(!) brief interludes in between which bring to the table a number of short bits of Welsh/Celtic history, folklore, myths, and legends.
The back-cover blurb tells us that Wales is
"the cradle of poetry, song and mythic rural splendour. But also a scene of oppression and tragedy, where angry spirits stalk castle and coal mine alike, death-knells sound amid fogbound peaks, and dragons stir in bottomless pools..."and indeed, many of the stories found in this collection are tied to the Welsh landscape, either on terra firma, in freshwater lakes, or related to the sea. And, as in my favorite horror stories, there are a number of all too-human anxieties that are laid bare here; when those are combined with the mythological, the supernatural, and the natural elements, the result is a group of stories that move well beyond the standard fare into something much more elevated and well worth reading.
While there are a number of really good stories here, I did have a few favorites, including Reggie Oliver's "Druid's Rest." I wasn't too far into it before I realized that it read much like Aickman's "The Trains," and then... If Aickmanesque is any descriptor, this story of two young women seeking shelter from a storm in a closed hotel definitely falls under that heading. Thana Niveau's "The Face, was also great, a tale in which a photographer whose "favorite place of all to photograph" is the waterfall called Pistyll Rheaedr. While going through her photos and tagging friends Owain and Gareth at the falls, she is asked by the photo software "who is this?" noting a spot at the top. She sees no one at all, but the computer insists that there's someone there. When she looks at it in a different way, it's then she sees what might be a face, but might be only a trick of the eye since "nature's full of weird things." She'll get a chance for an up close and personal view when she accompanies Gareth to photograph him climbing the falls when they freeze over. "Matilda of the Night" by Stephen Volk is another standout, in which a folklorist named Rees gets wind of an elderly woman in a nursing home who swears the Gwrach-y-Rhibyn, whose appearance portends death, has paid a visit, and sure enough, death followed in its wake. Rees makes a deal with the woman that if he stays with her until she dies, she'll tell him all she knows, but it's deal that will cost him.
Pistill Rheaedr, from Wikipedia
The remaining stories are also quite good, although I'm still not sure about "Dialedd" by Bryn Fortey, which came off as a piece of dark humor that didn't seem to fit the whole "Terror Tales" connection (in my opinion):
"Under the Windings of the Sea" by Ray Cluley
"Old as the Hills," by Steve Duffy
"Swallowing a Dirty Seed," by Simon Clark
"Don't Leave Me Down Here," by Steve Lockley
"The Sound of the Sea," by Paul Lewis
"The Flow," by Tim Lebbon
"The Offspring," by Steve Jordan
"The Rising Tide" by Priya Sharma
"Apple of their Eyes," by Gary Fry
"Learning the Language", by John Llewellyn Probert
I have three unread "Terror Tales" books on my shelves and am slowly picking up the rest until I have the complete set. They're worth whatever I'll pay since not only are these deliciously nightmarish, but they're also a great example of the work of modern horror writers who definitely know how to ply their craft. The idea of grounding an entire body of work in regional horror is just brilliant.